I don't argue, even though I can't stand it. Most of my friends and relations have their TV sets adjusted to fill up the screen, no what the original size of the movie. Scroll left or right to select Pan & Scan or Letterbox: Letterbox lets the anamorphic image to pass without adding bars above or below the picture. I have my television adjusted to "Full Pixel" in order to ensure not missing any part of the original, theatrical aspect ratio. out to the original aspect ratio for display, either to a widescreen monitor or typically letterboxed on a standard television monitor. If you assume the 4:3 image is 640 pixels wide by 480 pixels tall, the top 60 pixels across would be a black bar, there would be 360 pixels down of image, and then another 60 pixels across the bottom of a black bar. This will display a wide picture with black boxes displayed on the upper and lower portions of the screen. 'Letterboxing' referred to the process of putting a widescreen image (16:9) into a square-ish (4:3) container. Other people would rather stretch or shrink or distort the picture in order to fit and fill up their television screens. TV TYPE selects the aspect ratio of the TV that is connected: The 4:3 LETTERBOX setting should be selected when you connect a normal TV to the player. Most videophiles want to watch their movies in the original aspect they were shown in theaters, so they live with the black bars on their televisions. The Pan & Scan version takes the original movie and crops pixels to give you a full screen picture, but missing some of the movie, while the letterbox version reduces the size of the picture so that you see the full movie but have black bars top and bottom. For the wider ratios, most cineplexes merely display the movie on the same screen they use for 1.85.:1, and audiences never notice the unused, blackened-out portions of the theater screen at the top and bottom. Many television networks decided to tackle the issue by using pan-and-scan versions of the films, which basically involved a film engineer selectively. Today, most movies are shown in theaters at 1.85:1 or 2.35:1 ratios. In the picture below the red square represents the only. In this method, black bars are added to the top and bottom of the image, but the image is not cropped. Movies since about 1953 have been made in various widescreen aspect ratios, from 1.44:1 up to big, wide Cinerama aspect ratios of 2.89:1 and more. Most old VHS movies are Pan & Scan and, as a result, many of the fine details of the movie were lost. The Letterbox technique reduces the image distortion that is introduced in the Pan and Scan method. "Widescreen" usually means any ratio wider than 4:3, resulting in varying degrees of black bars on the top and bottom of widescreen television sets, which are standardized at 16:9 (or 1.78:1). "Full-screen" (misnomer or not) usually means a screen image that fills up "fully" a 4:3 (or 1.33:1 ratio) television screen. This topic has been covered maybe 800 times already at AVS, but for people just getting into widescreen TVs, I'll try a capsule summary:
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